My Thoughts on Design

The role of a designer, no matter what their chosen medium, is largely the same, and once you get passed the technical peculiarities of design for lighting, scene, and sound (and costumes I suppose, but I don't do sew so well), the process looks remarkably similar. The necessary and sufficient functions are also remarkably alike, which is very generally to make sure the cast can be seen and heard.

When design is done well, it can be so much more than that, though. A Successful collaboration between the designer, the director, and the cast (yes, even the cast) will result in a much richer physical world that will immerse audiences in the work of the cast. In the best circumstances, the designer will make the world of the play more tangeable for the cast and the director, and enhance the work that everyone is doing.

With my background in technical theatre, design was only a natural for me to pursue. The highest compliment I can be paid as a designer is when the cast thanks me for making the play more meaningful for them.

Still a minimalist at heart, I like using bright lights and dark shadows in my lighting, and subtle yet persistent themes for my sound designs. The contrasting colors, light, and dark, and the the variationsn on established themes, place the audience in the thick of the wonder, magic, turmoil, and joy of characters as they evolve over the course of a performance.

Previous design credits

Cherry Orchard

The Tempest

To Kill a Mockingbird

Our Country's Good

The Imaginary Invalid

The Giver

The Eight

Frozen

How to Succeed in Business without Really Trying

Alice in Wonderland

Final Jeopardy

M*A*S*H

The Diary of Anne Frank

The House of Blue Leaves

The Foreigner

Footloose and Chicago